A boy named Nicholas was born on October 9,
1874, in St. Petersburg, Russia, to the family of a notary,
Konstantin F. Roerich.
Nicholas spent his childhood in a house on
the bank of the river Neva and at the suburban estate of his
father, which was called Izvara. Everything interested the
inquisitive
boy: complex designs of the ship masts, a small boat ploughing
the flat surface of the river, the words of an ancient song
of the times about Tsar Peter the Great (which his grandmother
would sing to the children).
The interests of the boy were quite diverse.
He learned to read very early and was fond of literature, poetry
and theater. The boy also painted with enthusiasm.
When he was nine, a noted archeologist came
to conduct explorations in the region and took young Roerich
on his excavations of the local tumuli. The adventure of unveiling
the mysteries of forgotten eras with his own hands sparked an
interest in archeology that would last a lifetime.
ADOLESCENCE
The time of childhood passed, then
came the anxious time of adolescence. Nicholas Roerich studied
in the gymnasia (in pre-Revolutionary Russia, the secondary
school of the highest grade, a preparatory school for universities).
At the age of seventeen, he started systematically to devote
himself to painting, under the guidance of the Russian painter
Mikeshin, who was the first to note the youth’s talent.
In 1893 Nicholas graduated from the gymnasia
and began to think about entering the Academy of Arts to pursue
a career as an artist, and also to [take classes] in the History
Department at the University. However, his father didn’t consider
painting to be a fit vocation for a responsible member of society,
and he insisted that his son follow in his own steps in the
study of law.
A compromise was reached, and in the fall of
1893, Nicholas enrolled simultaneously in the Academy of Arts
and in the Law Department (at the sacrifice of the History Department)
at St. Petersburg University. Even so, he continued to affirm
before his father [his choice of] the Academy of Arts. With
dignity, he found the way out of the first serious conflict
of his life.
Actually, in the University one could see Nicholas
Roerich, the student, more often in the History Department,
even though he had to complete his law exams. Later he successfully
graduated from the University and the Academy of Arts.
In
the Academy his teacher was the highly creative and renowned
Russian artist, Arkhip I. Kuinjy, who became Roerich’s teacher
not only in painting but also in life.
Early on Nicholas’ student works were notable
for their mastery and originality. At the time when he graduated
from the Academy, Nicholas Roerich was already quite mature
and well-known as an artist.
During his years of study, he not only had
to earn a living but had to overcome many other obstacles in
life that appeared before him.
TOGETHER
In the summer of 1899, Helena (soon
to be Roerich) and her mother visited
Bologoye,
the estate of her aunt. The aunt’s husband, Prince Putyatin,
seriously devoted himself to archaeology. Nicholas Roerich came
there on archeological business, but Prince Putyatin was away.
Nicholas spent three days at his house waiting for him. From
their first meeting, Helena and Nicholas felt a tremendous rapport
with one another. They found many common interests in music
and art. On returning to St. Petersburg, the youths continued
to meet—they visited exhibitions, concerts, spoke of art, philosophy.
Soon their rapport and mutual attraction transformed into feelings
of deep love. At first Helena’s relatives were against the marriage,
but one unusual event helped them. Three times in succession
Helena had a dream that her late father said to her, “Helena,
marry Nicholas,” and in the last dream he added, “At the Ascension
everything will come out right; everything will be well.” And
so it was that many years later, Helena found out that it was
her spiritual Father, the Great Teacher of Light, who had appeared
to her in the aspect of her father.
The marriage was decided, but soon
after, Helena and Nicholas had to be separated for some time.
Nicholas Roerich had to go to Paris to complete his artistic
education, and there was no means by which they could be together.
Only after his coming back—on October 12, 1901—were they able
to marry.
After that they went through life together,
supporting and supplementing each other. In this way an amazing
family was born, first through the example of an uncommonly
harmonious union, and then through the creation of a totally
united family. Every member of the family had remarkable talents,
combined with a deep mutual understanding, love and respect
for one another.
This text was excerpted
from The Roerich Family © 2002 The Eastern Roerich
Society, Russia.